Monday, April 14, 2008

WASP Studios in Malaysia - Expanded

























Malaysia’s Wasp Studios is aptly named using the initial letters of its four founding members; Walid Omar, Andrea Duarte, Segaran Subbiah and Paul Morrison. There is plenty else having begun life in a quaint single-storey bungalow in 2001, it has gone on to establish itself as one of the top five ranked recording studios in Malaysia for music and audio post-production in the advertising industry.

Creative Director Paul Morrison is the musical genius behind the exponential success of Wasp Studios. He hails from the United Kingdom and has, since arriving in Malaysia 12 years ago, built an incredible reputation for his music composition, soundscapes and musical arrangement, and has also bagged numerous awards in the advertising and music industries. Among these awards are several prestigious Kancil Advertising Awards, the Malaysian Video Awards (MVA) and the Malaysian Music Industry Awards for original music composition and for best sound design work over the years. Paul also plays the drums and has often been seen performing on stage with the likes of Reshmonu, one of Malaysia’s most popular singer songwriter as well as Steve Thornton, a world-class percussionist, who is often seen in Sadao Watanabe’s entourage.

Managing Director Walid Omar has an extensive and impressive background in audio post-production, having worked with the likes of the BBC, Discovery Channel, Disney, Buena Vista and Warner Brothers in the USA. Walid ensures the continuous business development, personnel management and keeps abreast with providing high production standards for all of WASP Studios’ services and offerings, to all its clients.

Of the two other key founding members, Marketing Director Andrea Duarte is at the helm of client relations in WASP Studios. Having 15 years of prior experience in the advertising industry, she forged dynamic long-term working relationships with major advertising agencies leading to WASP’s exponential success within a few short years. Lastly, Technical Director Segaran Subbiah maintains the efficiency of the multi-room facility ensuring little or no-downtime in any of its studios. With an extensive electronics background while having worked in Motorola’s research and development department, Segaran has been working the music and audio industry for many years. His credentials include working as technical manager for Synchrosound Studios and WowFM. Segaran’s passion, dedication and attention to detail has resulted in his own hand-made custom-built tube microphone preamplifiers and a vocal Class-A tube compressor used throughout the many production rooms in WASP Studios. Apart from maintaining the in-house facilities, Segaran also heads WASP Tech, an affiliate company providing turnkey systems integration and complete maintenance for a variety of other facilities and recording studios in Malaysia.

WASP Studios’ large new double-storey facility houses a large recording and surround sound mixing control room with its own isolated vocal booth on the upper floor, fitted with superior-sounding ADAM active studio monitors on custom-built lead-impregnated heavy duty speaker stands, a ProTools HD2 Accel system which resides in an Apple Intel Core 2 Duo desktop, Digidesign’s Control|24 control surface and a separate Apple G5 desktop system outfitted with a Blackmagic analog video capture and playback card to run Gallery’s Virtual VTR software; a video-assist software system that is synchronized via SMPTE to provide frame-accurate random-access video without placing any strain to the digital audio workstation. For surround sound encoding and decoding, they use Neyrinck’s award-winning Dolby Digital AC-3 plug in for ProTools HD.

The facility also houses a MIDI composing, recording and stereo mixing control room with a medium-sized booth that isolates a drumset perfectly on the ground-floor of the facility. This room is equipped with a ProTools HD2 Accel system with another Virtual VTR system and a Mackie D8B digital mixing console. Upstairs, there are an additional four MIDI composing and music arrangement rooms equipped with Apple Intel Core 2 Duo desktops running the latest Logic Pro 8 software. All rooms’ digital audio workstations are linked to a shared server-based storage, primarily to share projects and files between rooms as well as to accommodate WASP Studios’ MIDI sound samples as well as their large collection of sound effects libraries. Almost all audio, music, video and MIDI data are available instantaneously as random-access files throughout the facility, which in effect, drives its operators in the individual rooms to focus more on their creativity and work more efficiently.

Having a great team is crucial to the continued development and success of services offered by any studio facility. As most of WASP's directors come from the engineering and composing background, they still take a very hands-on approach to their work and anyone will still find them in the studios everyday, actively composing and mixing work for their clients. Creating the right team is a process that requires nurturing, belief, trust and a strong sense of commitment from each and every one. Their biggest assets are the team at WASP Studios and their calculated investments in the highest technological equipment to ensure effectiveness and efficiency at all times. This synergy ensures their continued success in the long-haul.

Saturday, March 15, 2008

Cats Radio - Kuching, Malaysian Borneo



Cats Radio, the first ever radio station in Malaysia that has their own 3 storey gated building that also houses a 1000pax seater multi-purpose hall, 2 radio contis, 1 production/voice over room, a fully-equipped professional recording studio facility and ample parking space; that will set the standards of the currently ailing local music industry within the culturally-rich East Malaysian state.

I have been privileged in being awarded the contract to consult, dismantle and de-commission the station from its previous residence since 1996 at the Wisma Hasil, Kuching (also formerly known as Wisma Ting Pek Khiing). An interesting note to add here, was that 11 years ago, I was one of the technicians who at that time was fresh out of college, working for the Singapore-based systems integrator that put together the radio station in record-time, allowing the station to begin broadcast ahead of schedule.

This time around, however, my 6 year old company, Thenexus was chosen directly by the main contractors to be the broadcast as well as audio technical consultant and systems integrator. The building itself took a record-time to build and was almost complete within 7 months. I enlisted Segaran, formerly of Synchrosound Studios and WowFM fame, now our chief technical advisor to oversee wiring and ducting systems within the building, adhering strictly to international broadcasting standards.

Dismantling the equipment in the previous location was a breeze and took us about 3-5 days to carefully remove, perform basic repairs, clean and pack into the moving cartons. All old wiring was discarded to prevent use of carbonized cables and connectors that prevent optimum audio flow-through. As the new building was faced with some unexpected but crucial delays, we only managed to start working on the setup and rewiring of the production studio after 2 days.

Next in line was the internal wiring layouts for the MCR (Machine Control Room) which houses the exciters, stereo encoders and FM codecs before the final link to transmission. While both the stations were playing out synched material to facilitate quick switch-over between the old location and the new building, we then started working on the Main On-Air Conti, which has been designed as Malaysia's biggest ever on-air radio conti, far larger than many radio contis in the region. This room may fit a fully-seated 12-piece orchestra or a large choir effortlessly, and this was the main flexibility that the radio station owners had in mind. The furniture systems were custom designed and the systems were laid out neatly and without clutter.


This is the end of Part 1. I'm heading to Cats again soon and hope to come back with some more great pics and perhaps with more of the real people behind Cats continued success and future plans.